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Maid Sama Usui And Misaki Wedding

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Connie C. described the manga as being "pretty entertaining, if shallow", feeling that it was sexist towards both genders, but lighthearted enough in this that offense could not be taken, saying that she would continue to read the series as a "guilty pleasure". [45] Deb Aoki feels that the maid café setting provides both fanservice and a vehicle to critique gender roles. [46] In contrast, Johanna Draper Carlson feels that the story is "a male fantasy, where the scary, strong, smart, self-possessed girl turns out to secretly be subservient to men. It’s sort of funny to read, until you think about what its real messages are. "[47] Robert Harris notes the formulaic beginnings, but feels that the characters make the manga enjoyable. [48] Leroy Douresseaux found the character of Takumi unconvincing, describing him as a "cheap plot trick" to rescue Misaki when needed. [49] Carlo Santos felt the premise was "otaku-tastic", but appreciated the lack of fanservice and panty shots in the maid cafe scenes, feeling that these marked the series as being shōjo. He also appreciated the chemistry between the leads, and the humour, but noted the stereotypical plot, and criticises the layouts and overly-talky characters. [50] Connie C. described the second volume as reminding her that plot devices are plot devices because "they work wonderfully if used right", feeling that the sense of humour and character interactions lifted the stereotypical plots of the school sports day and rich new classmates. [51]

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